The mecca of the modern soul/neo
soul talent pool seems to be the city of Brotherly Love these days.
In light of the recent return of Jill Scott
and her long-awaited sophomore set, Beautifully
Human: Words and Sounds Vol.2
and The Roots - Tipping
Point grabbing headlines, there is another Philly native
thats making a name for herself although on a much quieter scale
but nevertheless just as important. Her name is Lizz
Fields and you might be saying to yourself 'who?' but
don't who but 'Wow'
Now don't get me wrong as she's
not trying to be the next Jill Scott
of the neo-soul generation but Lizz has a style all her own very
evident once you listen to her music. Her ambition to be a singer
started as a young girl. Her start as it is for any a up and coming
singer came in the gospel arena where she would sing in her church.
During high school she was proned to being teased about her voice
and it was here that she ventured into jazz vocal. The freedom to
have various sounds and vocal styles and ranges at her beckoning
appealed to the young singer who would now find the courage to move
to Brooklyn to find work.
It was here that things would
happen for her as she tells it ''I was working in a furniture
store while I was recording in Philly, and I would come back to
Brooklyn to where I worked and I would pop in my CD and people would
hear it while they were buying furniture and they would ask me about
it. I was like I don’t have a record deal, I’m not doing anything
with it. But then one day I just thought to myself, "hmm, wonder
if I can compile all the music I have so far and see if I can sell
it", literally burn it to CD-R, print out my own artwork. So
I burned two, and I sold two the following day. Then the next day
I burned four and sold those, and it just kept getting bigger and
bigger. The next thing I know I’m filling in orders for independent
retailers throughout the US and then it trickled over to the UK
and other parts of Europe, and Japan. It became an album. Initially
I just considered it just maybe songs for a demo, just trying like
everyone else to get a record deal. But then I saw that just putting
it out myself, people were really receptive to it, enjoyed it, and
it just became an album''
All in all, she would sell
some 13,000 copies from her making CDRs and she would quit her job
at the furniture shop to focus on her music full time. With that
kind of momentum going for her, the next step was evident to get
a deal and that she did with Unisex
and the rest is history as they say.
The track on review here today
is the soothing mid-tempo number 'I Gotta
Go'. Written by Lizz and produced by Damian,
the song incorporates a mellow yet smooth almost like a meditation
type stance on the soul music scene with Lizz's dynamic vocals catching
the essence of both worlds of jazz and soul. Musically the production
is solid not much to be inproved upon (except maybe a remix from
a key personal in the industry), lyrically you see where she is
coming from from a woman's prospective and shows a maturity in her
words that gives depth and charactor in some instances.
A terrific debut from a singer
who's excellent really shines on all levels of her work. One not
to miss out on I promise you You can get the album at Amazon
or SamGoody - A TY-D
Pick (period)
Listen to Lizz
Fields - 'I
Gotta Go'
Sir TY